Ghostlight
Richard Move gives a larger than life performance as Martha Graham, the mother of Modern Dance, that traces its roots to the same NY club scene that produced Hedwig. Graham's acknowledged genius remains on par with Stravinsky, Einstein, and Picasso. She was also a legendary eccentric who bristled with sexuality, anger, passion, and humor
Insights
Plot Summary
A down-on-his-luck private investigator is hired by a mysterious woman to find her missing husband, a successful businessman. As he delves deeper into the case, he uncovers a web of deceit, betrayal, and violence that puts his own life in danger. The investigation leads him to confront dangerous criminals and powerful figures, forcing him to question who he can trust.
Critical Reception
Ghostlight received a mixed to negative reception from critics and audiences. While some acknowledged the potential for a gritty crime thriller, many found the plot convoluted and the execution lacking. Performances were varied, with some praise for the cast's efforts despite the material.
What Reviewers Say
- The film attempts a noir-inspired thriller but suffers from a weak script.
- Performances are uneven, struggling to elevate the predictable plot.
- Lacks the suspense and depth to be a compelling crime drama.
Google audience: Information regarding Google user reviews for 'Ghostlight (2003)' is not readily available.
Fun Fact
The film's director, Jay Alaimo, also wrote the screenplay and had a small acting role in the movie.
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