Khaidi No.786
Khaidi No.786

Movie spotlight

Khaidi No.786

1988
Movie
0
Telugu

Khaidi No.786 is action drama based movie in which, Gopi (Chiranjeevi) is a music master brought up by Satyanarayana and Nutan prasad in a village. He wants to become a police constable. Surya Chandra Rao (Kota Srinivasa Rao) is a rich man in the village with his daughter Radha (Bhanupriya) who is head strong and proud of her riches. In a brawl with Gopi, she seeks revenge and acts as his disciple wanting to learn music and later accuses him of attempting to rape her with the help of new SI of the village.Asirayya (Mohan Babu) but later realises her mistake and his good nature and falls in love with him. Though reluctant to marry her, Gopi is convinced to accept her into his life and they marry. Surya Chandra Rao is enraged by this and sends a goon to kill him and in a fight the goon loses and Gopi leaves him at Surya Chandra Rao

Insights

IMDb7.1/10
Director: B. GopalGenres: Action, Drama

Plot Summary

The film centers around an honest police officer who goes undercover to dismantle a powerful crime syndicate. He adopts the identity of a prisoner, Khaidi No. 786, to infiltrate the organization from within. As he navigates the dangerous underworld, he faces betrayal, intense action sequences, and moral dilemmas while striving to bring justice to the oppressed.

Critical Reception

Khaidi No. 786 was a significant commercial success, praised for its fast-paced action, Nandamuri Balakrishna's powerful performance, and strong dialogues. It resonated well with audiences for its typical masala entertainer elements, blending drama and action effectively.

What Reviewers Say

  • Praised for high-octane action sequences and Balakrishna's energetic performance.

  • Applauded for its strong, impactful dialogues that appealed to the masses.

  • Considered a successful example of the commercial Telugu cinema of its time.

Google audience: Information not available.

Fun Fact

The film was noted for its intense action sequences and dialogues, which became a hallmark of Nandamuri Balakrishna's cinematic persona during that era.

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