Saturday, Sunday and Monday
Saturday, Sunday and Monday

Movie spotlight

Saturday, Sunday and Monday

1990
Movie
119 min
Italian

Rosa, a mature mother of several children, is concerned that her beloved husband Don Peppino is losing interest in her, and does his best to provoke some jealousy in him. She is a masterful cook, and if her romantic charms are fading, her culinary skills are not. By one means and another, and after some amusing confrontations, she succeeds in keeping her husband from taking her for granted and harmony is restored.

Insights

IMDb6.5/10
Director: Ettore ScolaGenres: Comedy, Drama

Plot Summary

A Neapolitan family gathers for their traditional Sunday lunch, revealing simmering tensions and unspoken resentments beneath the surface of their seemingly happy reunion. As the day progresses, secrets and personal struggles come to light, challenging the bonds of love and loyalty within the family. The film explores the complexities of relationships and the unspoken dynamics that shape familial connections.

Critical Reception

The film received generally positive reviews, particularly for its strong performances and poignant exploration of family dynamics. Critics praised Sophia Loren's nuanced portrayal and the film's authentic depiction of Italian family life, though some found the pacing occasionally slow. It was noted for its blend of humor and melancholy, characteristic of Ettore Scola's directorial style.

What Reviewers Say

  • Praised for its strong ensemble cast, especially Sophia Loren.

  • Appreciated for its authentic and often poignant portrayal of Italian family life.

  • Some critics noted a slow pace but acknowledged the film's emotional depth.

Google audience: Audience reception is not widely documented on Google. Reviews that are available tend to highlight the film's emotional resonance and the performances of the lead actors.

Awards & Accolades

Nominated for the Golden Globe Award for Best Foreign Language Film.

Fun Fact

The film is based on the play of the same name by Eduardo De Filippo, a prominent Neapolitan playwright.

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