From the Classroom to the Streets: The Making of 'Who's That Knocking at My Door'

A young Italian-American man from the Lower East Side of Manhattan struggles with his Catholic guilt and his burgeoning sexuality. After a passionate romance with a woman he perceives as promiscuous, he grapples with feelings of betrayal and moral conflict, leading to a crisis of faith and identity. The film explores themes of virginity, sin, and the pressure of societal and religious expectations.

Martin Scorsese's debut feature, 'Who's That Knocking at My Door,' was an independent film that garnered attention for its raw portrayal of youthful angst and Catholic guilt. While not a commercial success, it established Scorsese's distinctive directorial voice and his recurring interest in themes of faith, masculinity, and urban life. Critics noted its gritty realism and the compelling performances, particularly from Harvey Keitel.

• A raw and unflinching look at Catholic guilt and sexual awakening.

• Features a standout performance from a young Harvey Keitel.

• Showcases the nascent directorial style of Martin Scorsese.

Google audience: Audience reception for this early independent film is not widely documented through Google's platform, but it is recognized as a significant early work in Scorsese's filmography.

None notable for this early independent film.

The film was originally titled 'I Call First,' and its post-production was significantly delayed due to financial issues and Scorsese's own dissatisfaction with the editing process.