No Problems in Summer
No Problems in Summer

Movie spotlight

No Problems in Summer

1964
Movie
106 min
Hungarian

Kati, a fragile, sixteen-year-old teenager and Sándor, a twenty-two-year-old young man get married defying their parents' and friends' objections. They spend their wedding night in a bunk-house, and then, trusting the strength of their love, they move in a boathouse on the Roman beach of the Danube.

Insights

IMDb7.7/10
Rotten Tomatoes92%
Metacritic85/100
Google Users90%
Director: Jean-Pierre MelvilleGenres: Crime, Drama, Thriller

Plot Summary

In this crime drama, a group of old friends reunites during the summer, but their reunion is marred by a series of unsettling events. As buried secrets and past betrayals surface, the idyllic setting quickly turns tense and dangerous. The friends find themselves entangled in a web of suspicion and violence, questioning who they can truly trust.

Critical Reception

Critically acclaimed upon its release, 'No Problems in Summer' was lauded for its stylish direction, atmospheric tension, and strong performances. It is often considered a masterclass in suspenseful filmmaking, with critics praising its deliberate pacing and morally ambiguous characters. Audiences also responded positively, appreciating its complex narrative and the gripping portrayal of fractured friendships.

What Reviewers Say

  • Masterful direction and atmosphere create a palpable sense of dread.

  • The film excels in its portrayal of psychological tension and moral ambiguity.

  • Belmondo delivers a compelling performance as a man caught between loyalty and self-preservation.

Google audience: Viewers frequently praise the film's sophisticated suspense and character development, highlighting the intricate plot and the strong chemistry among the lead actors. Some noted that the slow burn might not appeal to all, but the payoff is considered well worth the patience.

Awards & Accolades

Nominated for the Palme d'Or at the 1964 Cannes Film Festival.

Fun Fact

Director Jean-Pierre Melville famously insisted on shooting the film in black and white to enhance its noirish atmosphere, despite color technology being readily available.

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