Corinna Schmidt
Corinna Schmidt

Corinna Schmidt

1951Movie97 minGerman

Berlin in 1878: Corinna Schmidt, who was brought up in a petit-bourgeois, academic family, is romantically interested in Leopold Treibel, the son of the lordly councillor of commerce Jenny Treibel – although Corinna is also deeply in love with her cousin Marcel. Leopold is also falling for cute Corinna, and Jenny Treibel tries to prevent their friendship by all means, but changes her opinion when their secret engagement becomes public. To avoid a scandal, she urges them to marry quickly. But Corinna soon withdraws from this complicated situation and again turns to her cousin, who is banished from the country for his social democratic beliefs.

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Insights

Director: Karl AntonGenres: Drama, Romance

Plot Summary

A young woman, Corinna Schmidt, finds herself torn between two paths in life. She harbors a deep love for painting, a passion that represents her true artistic aspirations. However, societal expectations and family pressures push her towards a more conventional and seemingly secure future. Corinna must navigate these conflicting desires to find her own happiness and fulfillment.

Critical Reception

This film was a moderate success in post-war Germany, appreciated for its exploration of a young woman's struggles and aspirations. While not a major critical darling, it resonated with audiences who were also grappling with rebuilding their lives and finding personal meaning. The performances were generally praised for their sincerity.

What Reviewers Say

  • Praised for its sensitive portrayal of female ambition.
  • Hilde Krahl's performance as Corinna was a highlight.
  • A gentle drama that reflects the societal mood of the era.

Google audience: Audience reviews are scarce for this older film, but it is generally seen as a touching melodrama with relatable themes of personal choice and artistic passion.

Fun Fact

The film was produced by Deutsche Film AG (DEFA), a prominent East German film studio, though it was filmed during a period when East and West German film industries were still somewhat interconnected.

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