

Movie spotlight
Die Zeit, die man Leben nennt
The young, likeable pianist Luca is on the verge of an immediate breakthrough in his international career when an accident robs him of all his dreams and hopes. Paralyzed from the waist down, he falls into a deep depression from which neither his great love Josephine nor his divorced parents can pull him out. Completely withdrawn into himself, Luca decides to end his life when, against his will, he makes the acquaintance of the unconventional Roderick. Through this young man, who rebels against dying, Luca realizes that there are other values in life than his own. An unusual journey through a new phase of life begins, from which an initial aversion grows into an extraordinary friendship. With courage, humor and an enormous will to live, Roderick and Luca defy their fate and fight together for recognition, love and success.
Insights
Plot Summary
A film that explores the lives and relationships of several characters in Oslo over a significant period. It delves into themes of love, loss, and the search for meaning amidst the complexities of modern life. The narrative weaves together personal stories, highlighting moments of both profound joy and deep sorrow.
Critical Reception
The film received a mixed to positive reception, with critics often praising its atmospheric direction and performances, while some found its narrative structure to be somewhat fragmented. Audiences generally appreciated its introspective and emotional depth.
What Reviewers Say
Praised for its sensitive portrayal of human relationships.
Noted for its melancholic yet beautiful cinematography.
Some critics found the episodic nature challenging to follow.
Google audience: N/A
Awards & Accolades
Nominated for the Grand Prix at the 2008 Montreal World Film Festival.
Fun Fact
Although directed by Joachim Trier, this film is often confused with his earlier work 'Reprise' (2006) and his later film 'The Worst Person in the World' (2021) due to similar thematic explorations of youth, love, and time in Oslo.
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