Ieri, oggi, domani

This anthology film presents three distinct stories set in different parts of Italy, each exploring the complexities of love, desire, and social constraints. In the first segment, a working-class woman uses her charm and wit to circumvent the law. The second story follows a bourgeois housewife who finds herself attracted to a young man from her past. The final segment depicts a wealthy courtesan who yearns for a more genuine connection amidst her transactional relationships.

The film was a critical and commercial success, lauded for its witty storytelling, stellar performances, particularly from Sophia Loren and Marcello Mastroianni, and De Sica's deft direction. It captured the spirit and humor of Italian society while offering poignant observations on human relationships.

• Praised for its sharp wit and insightful social commentary.

• Sophia Loren and Marcello Mastroianni deliver charismatic and memorable performances.

• Vittorio De Sica masterfully blends humor with poignant observations on Italian life and relationships.

Google audience: While specific Google user ratings are not readily available for this older film, its enduring popularity and critical acclaim suggest it is highly regarded for its humor, performances, and insightful portrayal of different facets of Italian society.

Won the Academy Award for Best Foreign Language Film (1965).

The film is notable for its daring exploration of sexual politics and social norms for its time, with the segment 'Mara' featuring Loren playing a woman who repeatedly gets her driving license suspended to avoid jail time.