La fine – The End
Ex-architect PATRICK KEILLER brings a graphic and compositional sense of landscape to this complex essay film following a conceited modern-day flaneur who conjects ruminatively over images of a curiously ill-defined European landscape. From within these images of construction, roadways and the never-ending to-ing and fro-ing of Europe's numerous train stations, can be glimpsed the visage of the old Europe, defined by borders, varied cultures and a distinct sense of place.
Insights
Plot Summary
In a remote Italian village, a series of brutal murders begins, seemingly orchestrated by a mysterious, unseen killer. As the body count rises, the remaining inhabitants find themselves trapped, suspecting each other as they unravel the dark secrets of their isolated community. The horror escalates as the night progresses, and escape becomes increasingly unlikely.
Critical Reception
La fine – The End is a cult classic within the Italian horror genre, often praised for its atmospheric tension and gory practical effects, though its narrative can be somewhat convoluted. It's appreciated by genre enthusiasts for its contribution to the 'slasher' subgenre in Italian cinema.
What Reviewers Say
- Praised for its effective gore and suspenseful atmosphere.
- Criticized for a sometimes confusing plot and uneven pacing.
- Considered a notable example of late 80s Italian exploitation horror.
Google audience: Audience reviews are scarce for this niche film, but where available, it's generally appreciated for its gruesome practical effects and suspenseful, claustrophobic setting, fitting the mold of early Italian horror.
Fun Fact
Despite its title suggesting a definitive end, the film is known for its ambiguous conclusion, leaving room for interpretation about the fate of the remaining characters and the true nature of the killer.
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