She Must Be Seeing Things

A journalist investigating a series of strange occurrences in her apartment building begins to suspect her lover, who also happens to be her editor. As her paranoia escalates, she delves deeper into the mystery, blurring the lines between reality and hallucination. The film explores themes of perception, jealousy, and the unreliable nature of memory.

She Must Be Seeing Things received mixed to positive reviews upon its release. Critics were often divided on its ambiguous narrative and surreal elements, with some praising its originality and unsettling atmosphere, while others found it confusing or impenetrable. The performances, particularly Kate Nelligan's, were frequently highlighted as strong points.

• Praised for its unique and unsettling atmosphere.

• Kate Nelligan's performance is a standout.

• Some found the plot too convoluted and difficult to follow.

Google audience: Audience reception is not widely documented on Google, but available comments suggest a polarized view, with some appreciating its avant-garde style and others finding it disorienting.

Director Shirley Clarke, a pioneer of independent cinema, worked on this film for over a decade, experiencing numerous production challenges and revisions before its eventual release.