Saudagar
Moti is a merchant who sells jaggery in the market, with the help of an older woman, Mahjubhi, who makes exemplary jaggery. He is in love with a village girl, but cannot afford to pay the dowry/marriage expenses to her father. So he decides to marry Mahjubhi, while secretly harbouring the dream of saving enough money for dowry and marrying the village girl. After marrying Majubhi, Moti extracts a lot of work from her to this end. He eventually does collect the amount and divorces her, accusing her of infidelity. Shortly after that he marries the village girl, and goes back to his business of selling jaggery, but faces the consequence of losing Mahjubhi's jaggery.
Insights
Plot Summary
The film tells the story of two wealthy and powerful village zamindars, Raja and Moti, who are bitter rivals despite being childhood friends. Their animosity escalates, impacting the lives of everyone in their village, including the innocent young woman who becomes entangled in their feud.
Critical Reception
Saudagar was a critical and commercial success, praised for its powerful performances, particularly from Dilip Kumar and Nutan, and its dramatic storytelling. The film resonated with audiences for its exploration of themes like friendship, betrayal, and the destructive nature of pride and ego.
What Reviewers Say
- Dilip Kumar and Nutan deliver powerhouse performances in a classic tale of rivalry and redemption.
- The film is lauded for its strong emotional core and compelling narrative.
- Amitabh Bachchan's supporting role adds significant weight to the dramatic conflict.
Google audience: Audience reception for Saudagar is generally positive, with many appreciating the film's classic Bollywood drama, strong acting, and emotional depth. It is often remembered as a significant film from its era.
Awards & Accolades
The film won the National Film Award for Best Feature Film in Hindi.
Fun Fact
The film marked the last collaboration between legendary actors Dilip Kumar and Nutan, who had previously starred together in 'Aman' (1967).
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