Movie spotlight
A young girl becomes friendly with a ghost but her sister is terrorized by it forcing a split between their parents. Who is the ghost and why is she after the girl?
In 1970s Iceland, a young orphan named Lyra finds solace and escape from her bleak reality in the vibrant world of the 101 club, a bohemian gathering place for artists and musicians. She forms a deep bond with a charismatic musician, which leads her on a journey of self-discovery and rebellion.
Baby, an Icelandic drama, received a generally positive reception for its atmospheric portrayal of youth culture and coming-of-age themes. Critics often highlighted its visual style and emotional resonance, though some found its narrative pacing uneven.
Praised for its evocative depiction of Reykjavik's underground music scene.
Commended for strong performances, particularly from its young lead.
Noted for its stylish cinematography and melancholic tone.
Google audience: Audience reviews are limited, but those available often point to the film's artistic merit and compelling atmosphere, with some finding it a poignant look at adolescence.
The film is based on a concept by Icelandic artist and musician Rúnar Freyr Gíslason, who also served as a producer.
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Baby has a lot in common with Mysskin's Pissasu. Both the films largely take place in multi-storeyed apartments. The ghosts in the films are defined by their hair. We do not see them for most parts of the film. But most importantly, scratch...