Madame Aema
Madame Aema

Movie spotlight

Madame Aema

1982
Movie
102 min
Korean

Oh Su-bi's husband, Shin Hyun-wu, is in jail for involuntary homicide. For the past two years, Su-bi has visited her husband every week. Though she is anguished by Hyun-wu's affairs, Su-bi is unable to divorce him even though everyone thinks she should. While visiting her husband, Su-bi meets Kim Dong-yub, a student of art, and feels his sincerity. One day, Su-bi runs into an old boyfriend, Kim Mun-ho, who lives in the same apartment complex. They engage in an affair. However, Su-bi is unable to bear the perverted sexual preferences of Mun-ho. She goes to Dong-yub and engages in a pure love. Hyun-wu asks for a divorce. When Su-bi is in the country, Dong-yub comes to her and promises to take her to France. However, the day they are supposed to leave for France, Hyun-wu is released from jail on a special pardon. Though she was on her way to Dong-yub, Su-bi finds herself greeting Hyun-wu, unable to free herself from the shackles of marriage.

Insights

IMDb6.5/10
Director: Lee Jang-hoGenres: Drama

Plot Summary

A beautiful but lonely young woman, Aema, finds herself trapped in a monotonous life. She struggles with societal expectations and her own desires, leading her into a series of tumultuous relationships. Her search for love and fulfillment takes her down a path of both pleasure and pain.

Critical Reception

Madame Aema was a significant film in South Korean cinema, known for its frank depiction of female sexuality and societal constraints. While controversial at the time, it garnered attention for its artistic merit and the strong performance of its lead actress.

What Reviewers Say

  • Praised for its daring portrayal of female desire and societal critique.

  • Recognized for Lee Mi-sook's compelling and bold performance.

  • Noted for its artistic direction and challenging themes.

Google audience: Information on specific Google user reviews for this film is not readily available.

Fun Fact

The film was a major box office success in South Korea upon its release and contributed significantly to Lee Jang-ho's reputation as a daring filmmaker.

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