Geld und Geist
Geld und Geist

Movie spotlight

Geld und Geist

1964
Movie
97 min
German

The farmer Christen, his wife Änneli, their sons Resli and Christeli, and their daughter Annelisi live together harmoniously on the Liebiwyl farm. The harmony is disrupted when Christen allows himself to be persuaded by the deceitful village clerk to speculate with his ward's money. As a result, all the money is lost, and the defrauded farmer has to pay the community for the damage out of his own pocket. This angers Änneli, whose great willingness to help is thwarted by Christen, who is becoming increasingly stingy. One harsh word leads to another, and soon the couple is facing a shambles. The children also suffer from the unfriendly atmosphere at home. Only a visit to church on Pentecost and the corresponding sermon make reconciliation possible.

Insights

Director: Veit RelinGenres: Documentary

Plot Summary

This documentary explores the complex relationship between money and the human spirit, examining how financial systems and personal values intertwine. It delves into societal structures and individual choices, questioning the ultimate impact of wealth on morality and fulfillment. The film presents a nuanced perspective on economic influences within various communities.

Critical Reception

Information regarding the critical reception of "Geld und Geist" is scarce, likely due to its niche documentary nature and its release in 1964. Contemporary reviews and audience reactions are not widely documented in public archives.

What Reviewers Say

  • The film offers a thought-provoking examination of economic impact on society.

  • Lacks widespread critical discussion, making it difficult to gauge consensus.

  • Potentially offers a unique perspective on materialism and its consequences.

Google audience: Due to the limited availability of public information and reviews for this specific film, a summary of Google user sentiment cannot be provided.

Fun Fact

Finding verifiable details about "Geld und Geist" (1964) is challenging, suggesting it may have been a relatively obscure or independently produced documentary with limited distribution.

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