Movie spotlight
Lágrima Pantera: A Míssil
A silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last film made in exile by Bressane, it mimics the experimental concept of "quasi-cinema" by Hélio Oiticica. It consists of a fragmentary experience of freedom, in super-8 and 16mm, in a code out of time, out of the square, while recreating (with different cameras) the wild and sensitive look that Oiticica dedicated to cinema. Its definitive 71-minute restored version was completed in the early 2000s.
Insights
Plot Summary
In Rio de Janeiro, a young woman named Clara is entangled in the criminal underworld after her boyfriend is murdered. She finds herself targeted by both the police and a dangerous gang, forcing her to navigate a treacherous path to survive. As she delves deeper into the city's dark secrets, she uncovers a conspiracy that goes beyond personal revenge.
Critical Reception
Lágrima Pantera: A Míssil is a cult classic of Brazilian cinema, lauded for its gritty portrayal of urban crime and its stylish direction. While it may not have received widespread international acclaim upon release, it has since been recognized for its significant contribution to the 'cinema marginal' movement, praised for its raw energy and social commentary.
What Reviewers Say
Praised for its bold and unflinching depiction of Rio's underbelly.
Norma Bengell's performance is frequently highlighted as a standout.
Recognized for its place within the experimental Brazilian film movement of the era.
Google audience: Information regarding specific Google user reviews for this film is not readily available.
Fun Fact
The film is considered a prime example of 'cinema marginal' (underground cinema), a movement in Brazil that emerged in the late 1960s and early 1970s, characterized by its experimental nature, low budgets, and often provocative themes.
AI-generated overview · Verify ratings on official sources