Campo Grande

Filmmaker Sandra Kogut decides to gift her nephew, Reginald, a pet capuchin monkey named Prego on his seventh birthday. What begins as a playful experiment in ownership and companionship evolves over several years into a complex, intergenerational narrative. The film documents the evolving relationship between the boy, the monkey, and the people who care for them, exploring themes of love, responsibility, and the blurred lines between pet and family.

Campo Grande received generally positive reviews from critics, with many praising its unique premise, intimate observational style, and nuanced exploration of human-animal relationships. The film was noted for its sensitive portrayal of the growing bond between the child and the monkey, as well as the subtle commentary it offered on class and care. Some critics found the pacing deliberate, but the overall sentiment was one of fascination and emotional resonance.

• Praised for its unique and intimate observational style.

• Appreciated for its sensitive exploration of human-animal bonds and family dynamics.

• Noted for its deliberate pacing and subtle social commentary.

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The capuchin monkey, Prego, was reportedly gifted to the filmmaker's nephew, Reginald, leading to the documentary's unique focus on their developing relationship over several years.