
Movie spotlight
Inclinación sexual al desnudo
Beachtown summer sexcapades of a lesbian couple that shoots porn, their transsexual porn director who falls for a man and her female assistant who has the hots for her.
Insights
Plot Summary
A glamorous woman seeks a new beginning in a remote part of Argentina after a failed relationship. She finds work and companionship, but her past and desires begin to catch up with her. The film explores themes of liberation and the complexities of female sexuality in a conservative society. Her journey is marked by both passion and peril as she navigates her newfound freedom.
Critical Reception
As an erotically charged drama from prolific Argentine director Armando Bó, 'Inclinación sexual al desnudo' is characteristic of his signature style, often featuring explicit content and the iconic presence of Isabel Sarli. While critically divisive and primarily appealing to a niche audience interested in B-movies and exploitation cinema, it has gained a cult following over the years for its uninhibited approach to sexuality and its unique place in Argentine film history. Its artistic merit is often debated, with some critics dismissing it as gratuitous while others acknowledge its raw, transgressive energy.
What Reviewers Say
Features the signature explicit style of director Armando Bó and star Isabel Sarli.
A cult film within the erotic exploitation genre, known for its raw and transgressive depiction of sexuality.
Often criticized for its gratuitous nature but appreciated by some for its boldness.
Google audience: Audience reviews are scarce due to the film's niche appeal and historical context. Those who engage with it often do so from a perspective of cult film appreciation, acknowledging its explicit content and the unique directorial style of Armando Bó. Discussions may touch upon its controversial nature and its place within the history of Argentine erotic cinema.
Fun Fact
Isabel Sarli, the lead actress and muse of director Armando Bó, was known for her daring and explicit performances, often pushing boundaries for Argentine cinema at the time.
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