Lucerna
Lucerna

Movie spotlight

Lucerna

1967
Movie
0
Czech

A host of actors in the classic national fairy tale by A. Jirásek. Jirásek's "Lucerna" is the best-known and most performed of his plays. It was also used by television producers. In the second half of the 1960s, a successful transcription was created with a remarkably well-captured atmosphere of the realistic-fairytale motif of the original. The film captures the acting mastery of Jan Pivec in the role of the castle's headmaster, the musicians played by Bohuš Záhorský and Vladimír Menšík, Zdeněk Štěpánek and Josef Kemr in the roles of the watermen Ivan and Michal. The television version of Lucerna premiered on Christmas Eve 1967, and each rerun only confirms that it is an excellent production.

Insights

IMDb7.5/10
Director: Károly MakkGenres: Drama, Family

Plot Summary

In 1920s Hungary, a young girl named Éva lives with her strict father and ailing grandmother. Her life takes a turn when her mother returns after a long absence, bringing with her a hidden past and complicated emotional dynamics. Éva navigates the complexities of family secrets, love, and loss as she grows up.

Critical Reception

Lucerna (also known as 'The Round-Up' in some English-speaking territories) was acclaimed for its sensitive portrayal of childhood innocence amidst adult turmoil and its poignant exploration of Hungarian society during a transitional period. Critics praised its visual artistry and the performances of its lead actors.

What Reviewers Say

  • Praised for its tender depiction of a young girl's perspective on complex family issues.

  • Hailed for its atmospheric cinematography and subtle emotional depth.

  • Noted for its compelling performances, particularly from Mari Törőcsik.

Google audience: Audience reviews are scarce for this older Hungarian film, but those available often highlight its artistic merit and the moving story of a young protagonist.

Awards & Accolades

Selected for the Cannes Film Festival in 1968 (Palme d'Or competition).

Fun Fact

The film's director, Károly Makk, was a prominent figure in Hungarian cinema and often explored themes of family, memory, and societal pressures in his work.

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