Unser Reigen

The film is a modern retelling of Arthur Schnitzler's 1900 play "Reigen" (La Ronde), exploring the interconnected sexual encounters of ten characters across Vienna. Each encounter leads to the next, creating a chain of relationships that reveals the hidden desires and hypocrisies within society. The narrative unfolds episodically, focusing on brief, often awkward or charged, interactions between different pairs of individuals. It critically examines themes of class, morality, and the elusive nature of intimacy in contemporary urban life.

"Unser Reigen" (also known as "The Roundelay") received mixed to positive reviews, with critics often noting its intellectual ambition and Haneke's signature detached yet probing style. While some praised its bold thematic exploration and formal control, others found it emotionally distant or overly schematic. The film sparked discussions about its contemporary relevance to Schnitzler's original work and its portrayal of modern relationships and societal anxieties.

• Praised for its ambitious thematic exploration of modern relationships and societal connections.

• Noted for Michael Haneke's characteristic precise and often stark directorial style.

• Criticized by some for being emotionally detached and intellectually driven rather than engaging.

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Michael Haneke's "Unser Reigen" is a re-imagining of Arthur Schnitzler's play "Reigen," which had previously been adapted by Max Ophüls in 1950 as "La Ronde" and by Roger Vadim in 1964 as "Circle of Love."