Movie spotlight
A tribute to the U.S. 442nd Regimental Combat Team, formed in 1943 by Presidential permission with Japanese-American volunteers. We follow the training of a platoon under the rueful command of Lt. Mike Grayson who shares common prejudices of the time. The 442nd serve in Italy, then France, distinguishing themselves in skirmishes and battles; gradually and naturally, Grayson's prejudices evaporate with dawning realization that his men are better soldiers than he is.
The film follows the true story of the 442nd Regimental Combat Team, a Japanese-American unit in the U.S. Army during World War II. Facing prejudice both at home and abroad, these soldiers prove their bravery and loyalty through extraordinary combat heroism, including the daring rescue of the "Lost Battalion."
Go for Broke! was a critical and commercial success, praised for its respectful and powerful portrayal of the Japanese-American soldiers' contributions and sacrifices. It was lauded for balancing its dramatic war scenes with moments of humor and character development, highlighting the soldiers' resilience against adversity.
Praised for its sensitive and inspiring portrayal of Japanese-American soldiers.
Commended for its effective blend of war action, drama, and understated humor.
Recognized as a significant film in depicting the valor and loyalty of a marginalized group during wartime.
Google audience: Viewers generally appreciated the film's focus on the heroism and sacrifices of Japanese-American soldiers, noting its respectful tone and engaging storytelling. Many found it to be an inspiring and important historical account.
Nominated for an Academy Award for Best Original Screenplay (Robert Pirosh).
The film was based on the actual experiences of the 442nd Regimental Combat Team, and many of the extras were veterans of the unit themselves.
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As wartime propaganda exercises go, I thought this to be one of the better and often quite funny features. It celebrates the achievements the 442nd - a regiment formed of Japanese American soldiers and commanded, somewhat reluctantly, by “G...