Hit Man
Bernie Casey portrays Tyrone and Pamela Grier plays a sultry skin-flick star in this first Americanized remake of the iconic Michael Caine action film Get Carter. From Watts to the West Side, from porno parlors to a high-rise, from motel dives to a crime kingpin’s sprawling pleasure dome, from corner hangouts to a wildlife preserve, Tyrone covers a lot of real estate, busts a lot of heads.
Insights
Plot Summary
A mild-mannered, unassuming man is secretly a ruthless hitman. When a dangerous assignment forces him to go on the run, he must confront his past and his deadly profession. His double life is threatened as he tries to escape the mob and the authorities.
Critical Reception
Hit Man (1972) is a cult grindhouse film that has garnered a niche following over the years. While not critically acclaimed upon its release, it's often recognized for its gritty atmosphere and exploitation elements typical of the era. Its low-budget production and direct-to-video style contribute to its cult status.
What Reviewers Say
- Praised for its raw, unfiltered portrayal of violence and its sleazy, exploitation-driven narrative.
- Appreciated by fans of grindhouse cinema for its B-movie charm and memorable, albeit low-quality, action sequences.
- Often criticized for its thin plot, weak acting, and exploitative themes, but viewed as a product of its time.
Google audience: Audience reviews are scarce due to the film's obscurity, but those available often describe it as a quintessential grindhouse flick with elements of pulpy crime fiction and low-budget thrills.
Fun Fact
The film was shot on 16mm and initially distributed as part of a double-feature package, a common practice for exploitation films of the early 1970s.
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