Bolshoi Ballet: Raymonda
Bolshoi Ballet: Raymonda

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Bolshoi Ballet: Raymonda

2012
Movie
165 min
English

At the castle of Countess Sybil de Daurice, Raymonda is celebrating her birthday. She is also about to bid farewell to her fiancé, knight Jean de Brienne, who is going on a crusade. At night Raymonda falls asleep and dreams that she is taken to a magical garden where she is reunited with her fiancé. Suddenly, Jean de Brienne disappears and an Arab sheik takes his place and declares his passion for her. When she wakes, Raymonda discovers with horror that her nightmare has become reality… Live performance 24 Jun 2012

Insights

IMDb7.9/10
Director: Alexei FadeyechevGenres: Ballet, Classical Music, Dance

Plot Summary

Raymonda, a young countess, is betrothed to the noble knight Jean de Brienne. However, on the eve of their wedding, she is captivated by the exotic Saracen warrior, Abderakhman. The ballet unfolds as a tale of love, honor, and cultural clash, culminating in a dramatic confrontation and a test of Raymonda's loyalty and Jean's bravery. This production captures the grandeur and intricate choreography of Marius Petipa's classic work.

Critical Reception

This live recording of the Bolshoi Ballet's production of 'Raymonda' was generally praised for its opulent staging and the exceptional technical prowess of its principal dancers, particularly Svetlana Zakharova. Critics noted the ballet's adherence to Petipa's original choreography, highlighting its strengths in classical technique and dramatic expression, while some found the plot somewhat dated. The overall reception was that of a magnificent display of classical ballet at its finest.

What Reviewers Say

  • Praised for its stunning visual spectacle and lavish costumes.

  • Svetlana Zakharova's performance as Raymonda was widely lauded as a highlight.

  • The production faithfully upholds the traditions of classical Petipa ballet.

Google audience: N/A

Fun Fact

The original ballet 'Raymonda' premiered in 1897 and is renowned for its incredibly demanding classical technique, particularly in the third act, which is often performed as a standalone ballet or divertissement.

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