A corporate risk-management consultant must determine whether or not to terminate an artificial being's life that was made in a laboratory environment.
A corporate troubleshooter is sent to a remote research facility to assess and contain an "accident" involving a genetically engineered humanoid. The artificial being, codenamed Morgan, has proven to be incredibly intelligent and powerful, but also volatile and dangerous. As the investigator delves deeper into the facility's operations and Morgan's capabilities, she uncovers the terrifying truth about the project and the potential threat it poses to humanity.
Morgan received mixed to negative reviews from critics. While some praised its atmospheric tension and Anya Taylor-Joy's performance, many found the plot predictable and derivative of other sci-fi thrillers. The film struggled to find a large audience, underperforming at the box office.
Google audience: Audience reviews for Morgan were largely unimpressed, with many finding the film to be a generic sci-fi thriller that failed to deliver on its premise. While some viewers appreciated the suspenseful moments and the lead performances, a common complaint was the lack of a compelling narrative and a disappointing conclusion.
The film marked the directorial debut of Luke Scott, son of acclaimed filmmaker Ridley Scott, who also served as one of the producers.
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