La pulquería 3: Entre ficheras anda el diablo
La pulquería 3: Entre ficheras anda el diablo

Movie spotlight

La pulquería 3: Entre ficheras anda el diablo

1984
Movie
101 min
Spanish

After regaining his manliness, he escapes from hell Satan for embezzling Secretary of infernal hacienda, being chased by a couple of poor devils good for nothing, and took refuge in the cabaret ends up working as a transvestite.

Insights

IMDb6.1/10
Director: Raúl AraizaGenres: Comedy, Erotic

Plot Summary

In this installment of the 'La Pulquería' series, the beloved pulquería is once again at the center of comedic and erotic misadventures. The story follows the colorful characters who frequent the establishment, getting into humorous situations often involving mistaken identities and romantic entanglements. The film continues to explore the vibrant and sometimes chaotic world of Mexican nightlife and popular culture.

Critical Reception

As part of a series known for its lighthearted, often risqué humor and focus on popular culture, 'Entre ficheras anda el diablo' was generally received as a typical entry in the franchise. It appealed to its target audience with its comedic performances and suggestive themes, maintaining the established tone and style that fans of the series expected.

What Reviewers Say

  • Praised for its continuation of the popular 'La Pulquería' comedic formula.

  • Acknowledged for its energetic performances, particularly from its lead comedic actors.

  • Noted for its blend of humor and erotic undertones, characteristic of the 'ficheras' genre.

Google audience: Audience reception for this film is difficult to quantify specifically due to the niche nature of the genre and the time period. However, films in the 'La Pulquería' series generally resonated with audiences seeking escapist entertainment, humor, and a reflection of certain aspects of Mexican popular culture.

Fun Fact

The 'La Pulquería' film series was a significant part of the Mexican 'ficheras' genre, which combined comedy with eroticism and often reflected social commentary on contemporary Mexican society.

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