All'Opera Le Barbier De Seville
All'Opera Le Barbier De Seville

Movie spotlight

All'Opera Le Barbier De Seville

2016
Movie
167 min
English

Probably the most famous Opera Buffa in music history, The Barber of Seville is an eternal source of joy. The director Vittorio Borelli, has set the action in its original context, during the time of Beaumarchais indicative of the change in social attitudes before, during, and after the French Revolution, but still fully adorn with powdered wigs and silk trousers. We are in Seville where the young and beautiful Rosina is kept locked up by her guardian, Don Bartolo, who intends to marry her in order to keep her dowry. However, Rosina is in love with the young Count Almaviva who, with the help of Figaro, will try everything to save her to finally be with his beloved.

Insights

Director: Enrique MazzolaGenres: Opera, Comedy

Plot Summary

This production of Gioachino Rossini's "The Barber of Seville" follows the cunning barber Figaro as he assists Count Almaviva in his pursuit of the beautiful Rosina, who is kept under lock and key by her guardian, Doctor Bartolo. Through a series of clever disguises and witty schemes, Figaro orchestrates comical encounters and thwarted plans to reunite the young lovers. The opera is a vibrant showcase of vocal virtuosity and comedic timing.

Critical Reception

This 2016 production of 'The Barber of Seville' at the Metropolitan Opera was generally well-received for its energetic direction and strong vocal performances, particularly the Figaro. Critics lauded the vibrant staging and the conductor's dynamic interpretation of Rossini's score, though some found certain directorial choices to be conventional.

What Reviewers Say

  • Praised for its lively conducting and enthusiastic cast.

  • Noted for strong vocal performances, especially the charismatic Figaro.

  • Appreciated for a colorful and engaging staging of the classic opera.

Google audience: N/A

Fun Fact

The original opera based on Beaumarchais' play was actually composed by Giovanni Paisiello in 1782. Rossini's version, composed just 39 years later in 1816, quickly overshadowed Paisiello's and has become the definitive version.

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