Movie spotlight
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
In this short film, two young black women discuss their desires and dreams for the future while dealing with the everyday realities of their lives. Set in a barbershop, the narrative explores themes of identity, ambition, and the societal pressures faced by young women of color.
As a short film, 'Apple Pie' did not receive widespread critical reviews in the same vein as feature-length productions. However, it was recognized for its strong performances and poignant exploration of contemporary Black womanhood. The film gained attention in festival circuits and among those interested in emerging filmmakers.
Praised for its authentic dialogue and relatable characters.
Noted for its sensitive portrayal of young women's aspirations and challenges.
Appreciated for its concise yet impactful storytelling.
Google audience: Information regarding Google user reviews for this short film is not readily available.
Screened at various film festivals, including the Martha's Vineyard African American Film Festival.
Nia DaCosta, the director of 'Apple Pie,' would go on to direct the acclaimed films 'Candyman' (2021) and 'The Marvels' (2023).
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