The Golden Supper
The Golden Supper

Movie spotlight

The Golden Supper

1910
Movie
14 min
English

Julian loves his cousin and foster sister Camilla, who is wooed and won by Lionel, his friend and rival. He is a witness to their marriage and after the ceremony he departs heartbroken to his own house. Utopian was the existence of Lionel and Camilla, until some time later Camilla is seized with a serious illness, and Lionel's grief knew no bounds when he heard "That low knell tolling his lady dead." "She had lain three days without a pulse all that look'd on her had pronounced her dead, So they bore her, for in Julian's land they never nail a dumb head up in elm, bore her free-faced to the free airs of heaven, and laid her in the vault of her own kin." Julian learns of the death of Camilla, and hastens to the house, arriving in time to see the funeral cortège moving slowly towards the sepulcher. Following in its wake he exclaims, "Now, now, will 1 go down into the grave; I will be all alone with all I love."

Insights

Director: Alice Guy-BlachéGenres: Drama, Silent Film

Plot Summary

This silent short film depicts a lavish banquet scene where a beautiful woman is seated between two suitors, one wealthy and one poor. The film explores themes of love, wealth, and societal expectations as the woman's choice is depicted with dramatic flair.

Critical Reception

As a silent film from 1910, formal critical reception in the modern sense is not readily available. However, Alice Guy-Blaché was a prolific and pioneering filmmaker, and her works are now recognized for their artistic merit and historical significance in the early days of cinema.

What Reviewers Say

  • Recognized as an early example of narrative filmmaking.

  • Showcases Guy-Blaché's skill in staging and directing actors.

  • A testament to the evolving cinematic language of the early 20th century.

Google audience: Information on Google user reviews for this specific 1910 film is not available.

Fun Fact

Alice Guy-Blaché is considered the first female director in cinema history and pioneered many filmmaking techniques, including the use of early special effects and synchronized sound, although 'The Golden Supper' is a silent film.

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