Movie spotlight
At the Terrace
A gaunt, middle-aged man barely recovered from a serious illness, an awkward company employee, the hosts’ likable son, who comes home late — each of the men on the terrace are captivated by Haruko’s pale, white arms, inflaming the jealousy of the company director’s wife. Literary anecdotes abound, as does petty bickering. The masks they’ve carefully crafted are suddenly torn away, exposing their tainted humanity. Desires, jealousies and secrets are laid bare during 90 minutes on the terrace, culminating in a shocking and not exactly happy ending.
Insights
Plot Summary
A successful real estate developer named Reza faces a moral crisis as he is presented with an offer to buy out a low-income residential building, displacing its long-time residents. He grapples with the potential consequences of his actions, the greed that drives him, and the impact his decisions have on the lives of others. The film explores themes of corruption, social inequality, and the ethical dilemmas faced in a rapidly modernizing society.
Critical Reception
Mohammad Rasoulof's 'At the Terrace' received critical acclaim for its sharp social commentary and compelling narrative. It was praised for its unflinching portrayal of corruption within the Iranian real estate industry and its examination of the human cost of unchecked development. Critics highlighted the film's ability to provoke thought and discussion about ethical responsibilities in a capitalist society.
What Reviewers Say
Praised for its incisive critique of Iranian society and its exploration of moral complexities.
Lauded for its tense atmosphere and the compelling ethical quandary presented to the protagonist.
Recognized for its contribution to contemporary Iranian cinema and its social relevance.
Google audience: Information on Google user reviews for this film is not readily available.
Awards & Accolades
Screened at the 2016 Cannes Film Festival as part of the Un Certain Regard selection.
Fun Fact
Director Mohammad Rasoulof has faced significant challenges with censorship in Iran, and his films often explore sensitive social and political themes, leading to restrictions on his work within the country.
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