Like in Films

A young woman named Anne is haunted by the past and her complicated relationships. When she inherits a house in the countryside, she rediscovers old photographs and journals that delve into the lives of its former inhabitants, particularly a woman named Eléonore. Anne becomes increasingly obsessed with Eléonore's story, blurring the lines between her own reality and the memories contained within the artifacts.

Like in Films was met with critical acclaim, praised for its intricate narrative, Resnais's masterful direction, and the performances of its cast, particularly Sabine Azéma. Critics lauded its exploration of memory, time, and the subjective nature of perception, though some found its non-linear structure challenging.

• Praised for its innovative exploration of memory and perception.

• Sabine Azéma's performance is a standout, capturing complex emotional nuances.

• Alain Resnais's directorial style creates a unique and immersive cinematic experience.

Google audience: Audience reviews highlight the film's thought-provoking narrative and artistic direction. Many appreciated the film's intellectual depth and emotional resonance, though a portion of viewers found its unconventional storytelling style demanding.

Nominated for the Palme d'Or at the 1983 Cannes Film Festival. Sabine Azéma won the César Award for Most Promising Actress.

The film's distinctive visual style, with its juxtaposition of static shots and dynamic camera movements, was a deliberate choice by Alain Resnais to reflect the fragmented nature of memory.