One Can Say It Without Getting Angry

A highly successful, but universally disliked, factory director, Ochódzki, maintains his position through a combination of ruthless manipulation and a special talent for always agreeing with whomever is in power. When a new, incorruptible manager arrives, Ochódzki's carefully constructed world begins to crumble. He must desperately find a way to adapt or face the consequences of his past actions.

The film is considered a classic of Polish political satire and absurdist comedy, often praised for its sharp critique of the communist era's bureaucracy and corruption, while also being enjoyed for its humor. It resonated strongly with audiences who recognized the everyday absurdities it depicted.

• Witty and satirical commentary on the absurdities of life under a totalitarian regime.

• Hilarious portrayal of sycophancy and corruption within a socialist bureaucracy.

• A timeless comedy that holds up due to its clever writing and memorable characters.

Google audience: Audience reviews highlight the film's enduring humor and its sharp, relevant critique of bureaucratic systems, praising its clever satire and memorable comedic performances.

The film's title is a sarcastic reference to the common phrase used when discussing sensitive political or social issues during the communist era in Poland, implying that one could only speak truthfully 'without getting angry' if it aligned with the official narrative.