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Rossini: Semiramide
A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.
Insights
Plot Summary
Set in a surreal, abstract landscape, this production of Rossini's "Semiramide" explores themes of power, betrayal, and identity. The opera tells the story of Semiramide, queen of Babylon, who conspires with her lover Assur to kill her husband, King Nino. However, their plot leads to unintended consequences, involving a long-lost son and a prophecy of doom. The production delves into the psychological complexities of the characters as they grapple with their past actions and a fated future.
Critical Reception
Dmitri Tcherniakov's visually striking and conceptually bold production of Rossini's "Semiramide" garnered significant attention for its unique interpretive approach. While some critics praised the daring directorial vision and the exceptional vocal performances, particularly from Joyce DiDonato, others found the abstract staging and reinterpretations to be overly challenging or deviating too far from the opera's traditional context. The production was lauded for its ambition and the musical excellence, making it a talking point among opera enthusiasts.
What Reviewers Say
Praised for Joyce DiDonato's commanding vocal performance and dramatic presence.
Tcherniakov's radical staging divided critics, with some commending its originality and others finding it overly abstract.
The musical performance, including the orchestra and other cast members, was generally lauded.
The production's conceptual framework was seen as both a strength and a point of contention.
Google audience: Audience reception for this production was varied, with many appreciating the high caliber of the singing and musical execution. However, some viewers found the directorial concept to be too unconventional, leading to a less accessible experience compared to more traditional stagings.
Fun Fact
Dmitri Tcherniakov is known for his highly conceptual and often controversial reinterpretations of classic operas, frequently setting them in modern or surreal environments and delving deeply into the psychological states of the characters.
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