Excitement Class: Love Techniques
Excitement Class: Love Techniques

Movie spotlight

Excitement Class: Love Techniques

1972
Movie
72 min
Japanese

Tormented by his first sexual stirrings, the teenager Isao dreams every night of his gym teacher Ikuko. He finally opens her heart but she rejects his advances. Frustrated, Isao invents all sorts of stratagies to disgust Ikuko´s fiance, a professor of chemistry in the same school. As his plan fails, he plans a radical solution...and the results turns out to be...

Insights

IMDb6.7/10
Director: Katsumi NishikawaGenres: Drama, Romance, Erotica

Plot Summary

A young woman, struggling to find her place in post-war Japan, becomes involved in a series of tumultuous relationships. As she navigates the complexities of love, desire, and societal expectations, she seeks to understand her own desires and identity. The film explores themes of female agency and the search for genuine connection in a world grappling with change.

Critical Reception

This film is considered a notable entry in the pink film genre, appreciated for its artistic direction and performances, particularly from Meiko Kaji. While its explicit content places it within a specific niche, critics often highlight its nuanced portrayal of a woman's journey of self-discovery and its exploration of complex emotional landscapes. Its reception is generally positive within the context of its genre, often praised for its visual style and thematic depth.

What Reviewers Say

  • Praised for its artistic direction and evocative cinematography.

  • Meiko Kaji's performance is frequently highlighted as a standout element.

  • Explores themes of female sexuality and identity with a degree of nuance for its time.

Google audience: Audience reviews are scarce due to the film's niche status, but where available, they often acknowledge its artistic merit and the compelling lead performance, while also noting its explicit nature as characteristic of the genre.

Fun Fact

Meiko Kaji, who stars as the protagonist, would go on to become a prominent figure in Japanese cinema, known for her roles in films like 'Lady Snowblood' and 'Female Prisoner Scorpion'.

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