The Big Blackout

In Paris, Ferdinand, a young man disillusioned with consumer society and his relationship with his girlfriend, decides to run away and experience the world. He embarks on a surreal journey filled with philosophical musings, encounters with quirky characters, and a growing sense of existential dread. As he grapples with his identity and the meaning of life, he finds himself increasingly detached from reality.

Jean-Luc Godard's 'The Big Blackout' (also known as 'Masculine-Feminine') was a significant film of the French New Wave, praised for its innovative style and exploration of youth culture and societal alienation. While some critics found its experimental nature challenging, many lauded its raw energy and candid portrayal of a generation grappling with identity and disillusionment.

• Praised for its capturing of a generation's angst and its stylistic experimentation.

• Commended for its sharp dialogue and provocative social commentary.

• Noted for its unconventional narrative structure and vérité style.

Google audience: Audience reviews highlight the film's authentic portrayal of youthful rebellion and existential questioning, often finding it a thought-provoking and relevant depiction of societal shifts.

Nominated for the Golden Bear at the 16th Berlin International Film Festival.

The film's original title was intended to be '12 Chansons d'Amour' (12 Love Songs), but was changed to 'Masculine-Feminine' to reflect its thematic focus on gender roles and relationships.