Money
Money

Movie spotlight

Money

1989
Movie
90 min
German

One day, Carmen Müller realizes that her husband Werner has been unemployed for months and has accumulated debts of 80,000 DM in their bank account. She comes up with a plan to rob her bank. When the branch manager and neighbor Lothar Fuchs, whom Carmen has always envied for his beauty and wealth, recognizes her, she takes him hostage. In their hideout in the Allgäu, the banker falls in love with the housewife, just as Werner and Fuchs' mistress Gabriele grow closer. The quartet form an alliance and defraud the bank together. Having come into money so suddenly, the Müllers don't feel comfortable either and secretly distribute their fortune around the neighborhood.

Insights

IMDb7.4/10
Director: Sergei SolovyovGenres: Drama

Plot Summary

A young student from a provincial town arrives in Moscow to study. He quickly becomes entangled in the complex social and political landscape of the late Soviet era, navigating relationships, ideological conflicts, and the disillusionment of his generation. The film explores themes of idealism, corruption, and the search for meaning amidst a decaying system.

Critical Reception

The film was a significant release in late Soviet cinema, often interpreted as a commentary on the socio-political climate of the time. It received critical attention for its artistic merit and its engagement with contemporary issues, though its nuanced exploration of perestroika-era anxieties sometimes made it a subject of debate.

What Reviewers Say

  • Praised for its atmospheric portrayal of Moscow and the anxieties of its young protagonists.

  • Seen as a complex, sometimes bleak, reflection of late Soviet society.

  • Appreciated for its artistic direction and thematic depth.

Google audience: Information on Google user reviews for this film is not readily available.

Fun Fact

Sergei Solovyov's 'Money' was part of a trilogy of films exploring generational and societal changes in Russia, alongside 'Assa' (1987) and 'Black Rose, Red Rose' (1998).

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