I Don't Kiss

In 1960s Tehran, a young, impressionable woman named Mina navigates the complexities of love and societal expectations. She finds herself drawn to two very different men: a charismatic artist and a more traditional, sensitive intellectual. Mina grapples with her desires and the suffocating cultural norms of the time, leading her to question her own identity and future.

'I Don't Kiss' received a modest reception, appreciated by some critics for its sensitive portrayal of a young woman's awakening and its atmospheric depiction of a specific socio-cultural milieu. However, it was also noted by some for its deliberate pacing and understated narrative, which may not have resonated with all audiences.

• Praised for its nuanced exploration of female desire and societal constraints.

• Appreciated for its evocative visual style and period detail.

• Some found the narrative to be too slow-paced or subtle.

Google audience: Audience reviews for 'I Don't Kiss' are scarce, but those available tend to highlight its artistic merit and the film's sensitive handling of its themes, particularly concerning female agency within a restrictive society. Some viewers found the film thought-provoking, while others may have wished for a more direct or emotionally explosive narrative.

The film was shot in Tehran during a period of significant social and political transition, with director Mitra Tabrizian aiming to capture the subtle shifts in attitudes towards women and relationships.