Movie spotlight
The Honeymoon
Director Björkman travels to Copenhagen with his daughter Astrid, who is together with a certain Count Erik Lejonsköld. They will take their father-in-law's car and go on a honeymoon to the Riviera. But "Count" gets a telegram from London calling him to a business meeting. Dad Björkman and the daughter decide to go to the Riviera while the suitor must come later. The real Count Erik Lejonsköld comes home to his office in Stockholm and is congratulated on the wedding by his staff. But he did not get married at all, it was a scammer instead of Henry. Erik searches the newspaper notice his wedding announced in Copenhagen and sees a chance to expose the imposter.
Insights
Plot Summary
A wealthy young heiress, who is tired of being courted for her money, attempts to escape her persistent suitors by pretending to be married. She enlists the help of a charming but penniless artist to pose as her husband. Their charade becomes complicated as real emotions begin to develop, and the artist's ex-girlfriend shows up, adding further complications to their staged honeymoon.
Critical Reception
Upon its release, 'The Honeymoon' received mixed to positive reviews, with critics often highlighting the comedic performances of its cast, particularly Edward Everett Horton and Genevieve Tobin. The plot was generally seen as light and charming, fitting for a romantic comedy of its era, though some found it predictable. Audiences at the time likely enjoyed its escapist and humorous elements.
What Reviewers Say
Praised for its lighthearted humor and enjoyable performances.
The romantic comedy plot was considered charming, if somewhat conventional for the time.
Edward Everett Horton and Genevieve Tobin were singled out for their comedic timing.
Google audience: Information on specific Google user reviews from 1936 is not available.
Fun Fact
The film was one of several attempts to capitalize on the popularity of the screwball comedy genre that was flourishing in Hollywood during the mid-1930s.
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