

Movie spotlight
The Price of Everything
Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.
Insights
Plot Summary
This documentary delves into the fascinating, and often bewildering, world of contemporary art and its booming market. It explores the high stakes, complex relationships, and passionate opinions that drive the art world, from the artists themselves to collectors, dealers, and auction houses. The film questions the value of art and whether its price tag truly reflects its artistic merit or simply the forces of supply and demand.
Critical Reception
The Price of Everything was widely acclaimed by critics for its insightful examination of the art market and its ability to engage both art enthusiasts and novices. Reviewers praised its balanced approach, presenting a diverse range of perspectives without overt judgment. The film was lauded for its visually striking presentation and its thought-provoking commentary on capitalism, value, and artistic creation.
What Reviewers Say
Praised for its sharp and engaging look into the multi-billion dollar art market.
Commended for its balanced portrayal of artists, collectors, and dealers, offering diverse viewpoints.
Applauded for its timely exploration of value, commerce, and creativity in the modern era.
Google audience: Google users largely appreciated the documentary's deep dive into the art world, finding it insightful and well-made. Many enjoyed the access it provided to prominent figures and the discussion it sparked about art's commercial aspects. Some viewers, however, found the subject matter to be somewhat niche or occasionally pretentious, though the overall sentiment remained positive.
Awards & Accolades
Nominated for an Emmy Award for Outstanding Documentary or a Short Subject Documentary.
Fun Fact
Director Nathaniel Kahn originally intended to make a film about collector Steven A. Cohen, but Cohen's legal troubles led Kahn to broaden the scope to the entire art market.
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