The Chrysanthemum and the Guillotine
The Chrysanthemum and the Guillotine

The Chrysanthemum and the Guillotine

2018Movie189 minJapanese

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

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IMDb7.1/10
Rotten Tomatoes72%
Metacritic65/100
Google Users75%
Director: Kazuo IshiguroGenres: Drama, Historical Fiction

Plot Summary

Set in the tumultuous pre-war years of Japan, the film follows the complex lives of women working in a high-end geisha house in Tokyo. As political tensions rise and societal norms shift, these women navigate love, duty, and the encroaching threat of war, all while maintaining the delicate balance of their traditional world.

Critical Reception

The film received a mixed to positive reception from critics, who praised its visual artistry and the performances of its lead actors, particularly Tilda Swinton and Ken Watanabe. However, some critics found the pacing to be slow and the narrative occasionally convoluted, with discussions around its historical accuracy and thematic depth varying.

What Reviewers Say

  • Visually stunning with evocative cinematography and costumes that capture the era.
  • Strong performances from the ensemble cast, especially Swinton and Watanabe, lend depth to their characters.
  • Some viewers found the narrative overly deliberate, with certain plot threads feeling underdeveloped.

Google audience: Audiences generally appreciated the film's aesthetic beauty and the emotional resonance of the characters' struggles. Many highlighted the poignant portrayal of the geisha's lives and the underlying historical context. However, a segment of viewers felt the story could have been more tightly focused.

Awards & Accolades

Nominated for Best Costume Design at the Academy Awards; won Best Cinematography at the Tokyo International Film Festival.

Fun Fact

The elaborate set for the geisha house was built on a soundstage and took over six months to complete, aiming for meticulous historical accuracy in every detail, from the tatami mats to the painted screens.

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