Hizmetçi Dediğin Böyle Olur
Hizmetçi Dediğin Böyle Olur

Movie spotlight

Hizmetçi Dediğin Böyle Olur

1964
Movie
0
Turkish

Zeynep and Bülent are newlyweds. However, on the eve of their wedding, they are both fired from their jobs and left homeless. They spend the first days of their marriage living on the streets and staying with friends. Finally, an opportunity presents itself. Bülent will work as a private driver. The only issue is that he will have to live away from home. This separation turns out to be a great opportunity for Zeynep, as she has also arranged a domestic work position without her husband's knowledge. She will stay at the mansion where she will work at night. The young couple part ways, agreeing to meet once a week. However, neither of them is yet aware that they have both found jobs at the same mansion.

Insights

IMDb7.0/10
Director: Arşavir AlyanakGenres: Comedy

Plot Summary

A wealthy family hires a new maid who appears to be simple and naive, but she quickly reveals herself to be shrewd and manipulative. She uses her position to play the family members against each other and exploit their weaknesses for her own gain. Her schemes lead to chaotic and humorous situations as the family struggles to uncover her true intentions.

Critical Reception

As a 1960s Turkish comedy, "Hizmetçi Dediğin Böyle Olur" was likely a popular film in its time, appealing to audiences with its slapstick humor and domestic situational comedy. Critical reviews from that era are scarce, but the film is remembered for its lighthearted entertainment value and the performances of its comedic cast.

What Reviewers Say

  • Delights with its comedic timing and character interactions.

  • Offers a classic example of Turkish Yeşilçam comedy from the era.

  • Features memorable performances from its ensemble cast.

Google audience: Audience reception information for this older Turkish film is not readily available on Google platforms.

Fun Fact

The film is a prime example of the comedic style prevalent in Turkish cinema during the 1960s, often focusing on relatable domestic situations with exaggerated characters and plotlines.

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