

Movie spotlight
The Metropolitan Opera: Francesca da Rimini
Eva-Maria Westbroek stars in the title role of Zandonai’s sensuous drama, opposite Marcello Giordani as Paolo. Piero Faggioni’s lush production provides the perfect setting for one of the all-time great tales of tragic passion, adapted from an episode in Dante’s Inferno. Mark Delavan co-stars as Giovanni, the husband and brother of the star-crossed lovers, whose jealousy leads him to kill them both. Robert Brubaker is Malatestino and Marco Armiliato conducts.
Insights
Plot Summary
Set in 13th-century Italy, this opera tells the tragic story of Francesca da Rimini, a noblewoman forced into marriage with the cruel Gianciotto Malatesta. She falls in love with his handsome brother, Paolo, leading to a passionate but doomed affair. Their secret romance is eventually discovered, resulting in devastating consequences for all involved, culminating in a violent end fueled by jealousy and betrayal.
Critical Reception
The 2013 Metropolitan Opera production of 'Francesca da Rimini' received generally positive reviews, with particular praise directed towards the stunning visual production and the powerful vocal performances of the lead singers. Critics lauded the opera's dramatic intensity and emotional impact, though some noted that Rachmaninoff's score, while beautiful, occasionally felt uneven in its pacing.
What Reviewers Say
Praised for its visually spectacular staging and evocative atmosphere.
Commended for the compelling vocal performances, especially from the leads.
Acknowledged for its passionate and dramatic interpretation of the tragic love story.
Google audience: Audience reception for this production was highly positive, with viewers frequently highlighting the opera's emotional depth and the magnetic performances of the cast. The visual grandeur of the production was a common point of admiration, contributing to an immersive and memorable experience.
Fun Fact
Sergei Rachmaninoff considered 'Francesca da Rimini' to be one of his most significant early works, though it is less frequently performed today than some of his later compositions.
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