Même les mômes ont du vague à l'âme

A young woman, struggling with her dreams and the mundane realities of life, finds herself in a series of complex relationships. The film explores themes of love, disillusionment, and the search for identity during a period of personal upheaval. Her journey is marked by both humorous encounters and poignant moments of introspection.

This French film from 1980 received a mixed to positive reception, with critics often highlighting its sensitive portrayal of youthful angst and its performances, particularly from Nathalie Baye. While some found its exploration of existential themes to be profound, others noted its occasional uneven pacing.

• Praised for its atmospheric depiction of emotional turmoil.
• Nathalie Baye's performance is frequently cited as a standout.
• Some reviewers found the narrative a bit too introspective.

Google audience: Audience reception for this film is not widely documented on Google's platform, making it difficult to summarize specific likes or dislikes.

The title translates to 'Even kids have the blues,' hinting at the film's melancholic undertones despite its comedic elements.