

Movie spotlight
Coil: Colour Sound Oblivion
16 DVD boxset by Threshold House, containing video registrations of the following Coil performances: Air Gallery, London, 24-08-1983 SONAR, Barcelona, 17-06-2000 Convergence, New York, 18-08-2001 DK Gorbunova, Moscow, 15-09-2001 Teatro Delle Celebraziani, Bologna, 06-04-2002 New Forms, Den Haag, 07-06-2002 Vagonka, Konigsberg, 29-09-2002 Ydrogeios, Thessaloniki, 05-10-2002 Flex, Vienna (+ Prague), 29-10-2002 La Loco, Paris, 23-05-2004 Mutek, Montreal, 29-05-2003 Melkweg, Amsterdam, 03-06-2004 (Selvagina), Jesi, 11-06-2004 City Hall, Dublin, 23-10-2004 The Coil Reconstruction Kit (2 discs)
Insights
Plot Summary
Colour Sound Oblivion is a feature-length documentary film chronicling the unique and influential industrial music group Coil. The film offers an intimate look into the band's creative process, their enigmatic public image, and their profound impact on experimental music and culture. It explores their artistic evolution through archival footage, interviews, and live performances, delving into the themes and philosophies that defined their work.
Critical Reception
Colour Sound Oblivion has been acclaimed by fans and critics alike for its comprehensive and sensitive portrayal of Coil. Reviewers often highlight its deep dive into the band's mythology and artistic output, praising its respectful approach to a notoriously elusive subject. The documentary is seen as an essential viewing for understanding Coil's significant legacy.
What Reviewers Say
An essential and illuminating look into the enigmatic world of Coil.
Successfully captures the band's unique atmosphere and artistic vision.
Praised for its depth and respectful treatment of a cult band.
Google audience: Audience reception is overwhelmingly positive, with viewers praising the documentary for its in-depth exploration of Coil's discography and artistic journey. Many appreciate the access granted to interviews and rare footage, finding it a fitting tribute to the band's legacy.
Fun Fact
The film was released posthumously, with John Balance having passed away in 2004 and Peter Christopherson in 2010, making it a final tribute to their collaborative work.
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