I've Never Been to New York
In the life of TV presenter Lisa, everything revolves around her talk show, celebrities and the ratings. There is just as little room for love as there is for her mother Maria. When the 66-year-old loses her memory after a fall in her apartment and wakes up in the hospital, she can only remember that she has never been to New York and sets off immediately. Lisa goes in search of Maria with her makeup artist Fred. She struck gold on a cruise ship that was just leaving for New York. As stowaways, the three have no choice but to earn the passage. While Fred is hired as an assistant by the Greek on-board magician Costa, Lisa and Maria have to work in room service. The crossing soon takes surprising turns for mother and daughter: Maria falls in love with the charming dancer Otto, who supposedly knows her from before, and Lisa takes a liking to the widowed statistician Axel Staudach, who is traveling with his son Florian.
Insights
Plot Summary
A struggling stand-up comedian is inspired by a viral video to embark on a cross-country trip to New York City to perform at the legendary Comedy Cellar. Along the way, he grapples with personal demons, questionable life choices, and the unexpected connections he makes with the people he encounters.
Critical Reception
The film garnered a modest reception, praised for its earnest portrayal of ambition and the struggles of the creative process. While some critics found its pacing uneven, many appreciated its heartfelt moments and Gerson's authentic performance.
What Reviewers Say
- Praised for its honest and relatable depiction of a comedian's journey.
- Some found the narrative a bit predictable, but the emotional core resonated.
- Appreciated for its indie spirit and Gerson's compelling lead performance.
Google audience: Audiences generally found the film to be a touching and authentic story about chasing dreams, with many connecting with the protagonist's vulnerability and the film's exploration of self-discovery.
Fun Fact
The film was largely shot on a micro-budget, with many scenes filmed guerrilla-style across various states during the comedian's actual cross-country journey.
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