The Metropolitan Opera: Die Walküre
The Metropolitan Opera: Die Walküre

Movie spotlight

The Metropolitan Opera: Die Walküre

2019
Movie
233 min
German

Soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. In this Live in HD transmission of Die Walküre, the second and most popular installment in the composer’s sweeping tetralogy, Goerke is joined by bass-baritone Greer Grimsley as Brünnhilde godly father, Wotan, and mezzo-soprano Jamie Barton as his unbending wife, Fricka. As the incestuous lovers Siegmund and Sieglinde, soprano Eva-Maria Westbroek and tenor Stuart Skelton—alongside bass Günther Groissböck as Sieglinde’s bloodthirsty husband, Hunding—round out the principal cast. And on the podium, Maestro Philippe Jordan conducts Robert Lepage’s innovative staging, which uses state-of-the-art stage technology to tell Wagner’s mythic tale.

Insights

Director: Robert LepageGenres: Opera, Classical Music, Drama

Plot Summary

The second opera in Richard Wagner's monumental Ring Cycle, Die Walküre, continues the epic tale of gods, giants, and heroes. It centers on the tragic love of Siegmund and Sieglinde, twins separated at birth, and their defiance of the god Wotan. Their story unfolds amidst divine conflict and the powerful intervention of the Valkyries, led by Brünnhilde, Wotan's warrior daughter, who faces her own father's wrath for her disobedience.

Critical Reception

The Metropolitan Opera's 2019 broadcast of Die Walküre, part of Robert Lepage's ambitious Ring Cycle, was met with a mix of awe for its technological spectacle and some reservations regarding directorial choices and specific vocal performances. The visual staging, particularly the innovative 'Dragon Scale' set, was widely praised for its ambition and immersive quality, though some found it occasionally overwhelming. Vocal performances from the cast, including notable singers in the lead roles, generally received positive acclaim for their power and dramatic intensity, even as some critics noted the immense vocal demands of Wagner's score.

What Reviewers Say

  • Praised for its groundbreaking visual design and ambitious staging.

  • Acknowledged for powerful and dramatic vocal performances, though challenged by Wagner's demanding score.

  • Some criticism directed at the operatic interpretation and pacing of certain scenes.

Google audience: Audience reception for The Met: Live in HD broadcasts of Die Walküre generally highlights the spectacular visual production and the emotional impact of Wagner's music, with many appreciating the accessibility of opera through such high-quality cinematic presentations. Specific cast members and the overall grandeur of the performance are often cited as highlights.

Awards & Accolades

None notable for this specific broadcast; focus is on the production's artistic and technical achievement.

Fun Fact

Robert Lepage's production of Wagner's Ring Cycle at the Metropolitan Opera, which premiered in 2010 and continued through subsequent seasons including the 2019 broadcast of Die Walküre, famously utilized a massive, complex set piece nicknamed 'The Machine' which featured 45 rotating, independently programmed panels that could create over 2,000 different scenic combinations.

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