White Lies

In this drama, a wealthy São Paulo socialite decides to adopt a baby, but her plans are thrown into disarray when the baby's biological mother, a young woman from a favela, unexpectedly appears. The socialite attempts to maintain control by offering the mother a job as a nanny, leading to complex power dynamics and ethical dilemmas. As the two women navigate their intertwined lives, their relationship evolves, challenging preconceived notions and societal boundaries.

White Lies received a generally positive reception from critics, who praised its nuanced exploration of class, race, and motherhood in contemporary Brazil. While some found the pacing deliberate, many commended the film's sensitive performances and its thought-provoking commentary on social inequalities. Audience reception was also favorable, appreciating its emotional depth and challenging themes.

• Praised for its sensitive portrayal of complex social issues.

• Commended for strong performances, particularly from the lead actresses.

• Noted for its nuanced examination of class disparities and maternal relationships.

Google audience: Google users largely appreciated the film's realistic depiction of social dynamics and its emotional resonance. Many highlighted the thought-provoking narrative and the film's ability to spark discussions about inequality and societal structures. Some viewers found the story to be compelling and well-acted.

Selected to compete in the World Cinema Dramatic Competition at the 2016 Sundance Film Festival.

Director Anna Muylaert is also known for her acclaimed film 'The Second Mother' (Que Horas Ela Volta?), which explores similar themes of class and domestic labor in Brazil.