Port Authority

Paul, a young man from a small town, arrives in New York City seeking a fresh start and quickly finds himself drawn into the vibrant and complex world of underground drag balls. He begins a tentative relationship with Kiko, a talented dancer and drag performer, while also working a difficult job at the port authority. As Paul navigates this new environment, he grapples with his identity and his growing feelings for Kiko.

Port Authority received a mixed to positive reception, with many critics praising its sensitive portrayal of queer identity and its visual style, while some found the narrative pacing to be uneven. It was particularly noted for its authentic depiction of ballroom culture.

• Praised for its authentic depiction of New York's ballroom scene and its sensitive exploration of identity.

• Lauded for the performances, especially Fionn Whitehead and Laia Costa.

• Some critics found the plot to be somewhat underdeveloped or slow-moving.

Google audience: Audiences generally appreciated the film's unique look at a specific subculture and the emotional journey of its characters. The performances and the film's style were often highlighted as strong points, though a portion of viewers wished for a more tightly defined plot.

Premiered at the Cannes Film Festival in the Un Certain Regard section.

The film was executive produced by Martin Scorsese, who was drawn to the authentic representation of ballroom culture and the film's unique visual language.