Tickets

The film presents a series of vignettes focusing on different characters and their interactions with a corrupt judge who has the power to sentence people to prison. Each story explores themes of justice, authority, and the human condition within the Iranian legal system. The narrative weaves together these distinct yet thematically linked episodes, offering a multifaceted look at societal pressures and individual struggles.

Tickets received mixed to positive reviews, with critics often highlighting Kiarostami's distinctive directorial style and the film's thought-provoking exploration of justice. Some found the episodic nature somewhat disconnected, while others praised its subtle yet powerful social commentary.

• Praised for its distinctive Kiarostami-esque observational style.
• Thematic exploration of justice and corruption is thought-provoking.
• Some viewers found the fragmented narrative less engaging than his earlier works.

Google audience: Audience reviews generally appreciated the film's artistic merit and its unique perspective on the Iranian judicial system. Many felt it was a powerful and reflective piece, though some found it slow-paced or difficult to follow due to its non-linear structure.

Screened at the 2005 Cannes Film Festival in competition for the Palme d'Or.

While Abbas Kiarostami is credited as the director, the film was actually shot by his son, Bahman Kiarostami, who also appears in the film and is often mistakenly credited as the director himself.