I'm a Stranger Here Myself: Kurt Weill in America
I'm a Stranger Here Myself: Kurt Weill in America

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I'm a Stranger Here Myself: Kurt Weill in America

1992
Movie
60 min
English

The story of Kurt Weill 's relationship with the American popular theatre. During his years in exile on Broadway, the composer of Mack the Knife and The Alabama Song, who personified decadent Berlin, found a new life in New York, creating such standards as September Song and Speak Low. Director Barrie Gavin describes the film as "the history of an artist ... struggling to write music which could have real meaning for the society he had just joined." Weill is remembered by the conductor Maurice Abravanel and the actor Burgess Meredith and there are extracts from several of his works.

Insights

IMDb7.3/10
Director: Jerry JanssensGenres: Documentary, Music, Biography

Plot Summary

This documentary explores the life and career of the influential German-born composer Kurt Weill during his time in America. It delves into his creative process, his struggles and triumphs in adapting his music to a new cultural landscape, and his significant impact on American musical theater and opera. Featuring archival footage and interviews with those who knew him and his work, the film paints a portrait of an artist navigating exile and reinvention.

Critical Reception

The documentary received positive reviews for its insightful look into Kurt Weill's American period. Critics praised its comprehensive approach, highlighting how it captured the essence of Weill's musical genius and his complex relationship with his adopted homeland. It is considered a valuable resource for understanding Weill's lasting legacy.

What Reviewers Say

  • Offers a compelling overview of Kurt Weill's American compositions.

  • Successfully illustrates the composer's adaptation and influence in a new world.

  • Valuable for music enthusiasts and those interested in 20th-century cultural history.

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Fun Fact

The title 'I'm a Stranger Here Myself' is taken from a song Weill composed for the musical 'One Touch of Venus' (1943), reflecting his own experiences as an émigré in America.

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