Movie spotlight
We Are Here
What happens when 300 lesbians from around the world attend the largest United Nations conference? How did two busloads of lesbians headed to an underground nightclub help spark the birth of a lala (LBT) movement in China? At the 1995 Fourth World Conference on Women in Beijing, the first ever lesbian tent at an UN NGO Forum was created. Emerging from hidden shadows of shame and invisibility, Chinese lalas began a hard-fought path of deliverance from themselves, from family, and from an apprehensive environment. In doing so, they sought empowerment and change as they explored concepts and issues from self-affirmation to rights consciousness. The film powerfully moves forward to the present day and shows the drastic change in today’s young feminist lalas – their challenging of sexism and homophobia with daring public street actions on subways – a parallel action to their forerunners in 1995, with much vigor and defiance 20 years later.
Insights
Plot Summary
This documentary follows the life and experiences of Elizabeth Davies, a woman who is deaf and blind. The film explores her unique perspective on the world, her challenges, and her triumphs. It provides an intimate look at her daily life and her journey towards independence and self-discovery.
Critical Reception
We Are Here received a mixed to positive reception, praised for its sensitive portrayal of Elizabeth Davies' life and its unique perspective. Critics often highlighted the film's emotional impact and its ability to foster empathy, although some found the pacing to be slow at times.
What Reviewers Say
Praised for its intimate and empathetic portrayal of a life with profound sensory impairments.
Acknowledged for offering a unique and moving perspective on human experience and resilience.
Some noted a deliberate, slow pace that might not appeal to all viewers.
Google audience: Audience feedback on Google is limited for this particular documentary, but general sentiment often points to its touching and insightful nature, appreciating the director's dedication to showcasing the subject's life with dignity.
Fun Fact
Director Jennifer Hill was inspired to make the film after meeting Elizabeth Davies and being deeply moved by her story and resilience.
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