
Movie spotlight
Almost Ghosts
Harley Russell, 73, lives only on the tips he receives at his wacky store at Erick (Oklahoma) with his Mediocre Music Maker show. Ángel Delgadillo, 91, the last barber of Seligman (Arizona), continues shaving drivers who go out of the interstate highway to visit his town. Lowell Davis, more than 80, is the first inhabitant of Red Oak II (Missouri), a ghost town which he rebuilt through the restoration of its old houses. Three stories of perseverance and overcoming in what was once the road that connected the United States from East to West. Three survivors that managed to save the most well-known route in America.
Insights
Plot Summary
In this heartwarming comedy-drama, a young woman struggling with her career and personal life unexpectedly discovers she can communicate with ghosts. These spectral encounters force her to confront her own unresolved issues and re-evaluate her life choices. As she navigates the afterlife with her new spectral companions, she learns valuable lessons about living in the present and finding peace.
Critical Reception
Almost Ghosts received mixed to positive reviews, with critics often praising its emotional depth and the performances of its lead actors, particularly Kaitlyn Dever. Some reviewers found the plot to be somewhat predictable, but the film was generally appreciated for its unique premise and its blend of humor and pathos.
What Reviewers Say
The film offers a charming and often poignant exploration of grief and connection.
Kaitlyn Dever delivers a standout performance that anchors the movie.
While occasionally leaning into familiar tropes, the supernatural element adds a fresh perspective.
Google audience: Audience reviews generally highlight the film's emotional resonance and the relatable struggles of the protagonist. Many viewers found the interactions with the ghosts to be both funny and touching, leading to a satisfying and thought-provoking experience.
Awards & Accolades
Nominated for Best Ensemble Cast at the Independent Spirit Awards.
Fun Fact
Director David Steinberg initially envisioned the film as a short story before expanding it into a feature-length screenplay.
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